Malaysia’s official Olympic uniforms for the Paris 2024 games have generated widespread criticism and ridicule from both the general public and professional designers. The collection, comprising tracksuits, polo shirts, and t-shirts, was met with immediate disdain on various social media platforms following its unveiling.
Critics have likened the designs to an “emergency outfit” and expressed discomfiture at the prospect of Malaysia being represented by such lacklustre designs on the global stage. Retired Malaysian track cyclist Josiah Ng Onn Lam has also joined the chorus of disapproval, noting what he perceives as a consistent failure to produce suitable designs for competitive events.
In response to the backlash, Malaysia’s Chef de Mission to the Paris Olympics, Hamidin Mohd Amin, has defended the kits, urging the public to focus on the athletes’ performance rather than their appearance. Nevertheless, the Olympic Council of Malaysia (OCM) has reportedly begun exploring the possibility of overhauling the collection for competing athletes through a partnership with sports equipment giant Yonex. The proposed exclusive attire is anticipated to be revealed in the coming weeks.
Professional graphic designers in Malaysia have also weighed in, with some commending certain designs for their modern aesthetics, while condemning others as poorly executed and lacking appeal. The disappointment has not been limited to the local community, as international commentators, such as Australian TikTok content creator Bee Jamieson, have also voiced criticisms of the Olympic outfits.
This is not the first occasion that Malaysia’s Olympic attire has faced public scrutiny, as similar mixed reactions were observed during the 2012 London Olympics. With just over a month until the Paris Olympics commence, the focus remains on the performance of Malaysian athletes, with hopes of securing the country’s first gold medal taking precedence.
The public scrutiny and ensuing discussions about the official Olympic attire underscore the import placed on representing the nation on a global platform, as evidenced by the remarks of professional graphic designers. The discourse underscores a collective aspiration to uphold Malaysia’s arts and design standards and highlights the significance of aesthetically appealing and dignified representation at the Olympic Games.
As the countdown to the Paris Olympics continues, the attention on Malaysia’s Olympic kits serves as a reminder of the public’s interest in the country’s participation and as a call to elevate the standards of design and representation on an international stage.