Frieze London 2024 introduces “Smoke”, an exhibition curated by Pablo José Ramírez focusing on ceramics by Indigenous and expatriate artists. The section highlights themes of migration and identity, featuring 11 artists in a cohesive space designed to encourage connection rather than the usual segmented layout of art fairs.
At Frieze London 2024, a new section titled “Smoke” will showcase ceramic works by Indigenous and expatriate artists, curated by Pablo José Ramírez. This exhibition focuses on themes of identity, migration, and cultural heritage through the lens of ceramics, a medium that connects past and present. Ramírez aims to present a cohesive environment for the pieces, moving away from traditional gallery layouts to offer a more integrated viewing experience with 11 artists represented by eight galleries, separated by transparent fabrics.
The incorporation of ceramics in contemporary art has gained traction as artists reflect on historical traditions and cultural narratives. Clay as a medium allows for a rich exploration of identity and social issues, making it particularly relevant for discussions around migration and personal heritage. The idea of connecting different cultural perspectives through the tactile and familial nature of ceramics aligns with modern artistic practices that seek to delve deeper into collective memories and ancestral knowledge.
The “Smoke” section at Frieze London promises to be a distinctive exhibition that not only highlights the versatility of ceramics but also fosters dialogue on important societal issues. By creating an interconnected space for artists, the exhibition invites visitors to engage with both historical and contemporary themes in a novel format.
Original Source: www.nytimes.com