HOFA Gallery has launched ‘SPACES’, a digital art exhibition in collaboration with Phillips, featuring innovative works from artists like Sougwen Chung, Refik Anadol, and Krista Kim. The exhibition runs from 3 to 10 October and showcases the intersection of technology and art through various digital mediums.
The HOFA Gallery in London has teamed up with Phillips to unveil an exciting digital art exhibition titled ‘SPACES’ as part of Frieze London 2024. This exhibition showcases innovative works from eight leading digital artists, including Sougwen Chung, Refik Anadol, and Krista Kim, demonstrating the synergy between digital technology and contemporary art. Notable highlights include Chung’s ‘Spectral’, where a telekinetic robotic arm collaborates with her to create art via brainwave translation. Krista Kim presents a triptych of her meditative gradient works that merge digital and UV-printed mediums, aiming to inspire positivity. Refik Anadol contributes ‘Winds of Yawanawa 888’, transforming Amazonian weather data into unique NFT data paintings, bridging ancient cultural practices with modern technology. Additionally, works by Ana Maria Caballero, Joseph Klibansky, and Random International are displayed. HOFA Gallery has a history of embracing digital art and was the first to accept cryptocurrency for its collections in 2018, paving the way for artists exploring Web3.
The exhibition ‘SPACES’ forms part of Frieze London 2024, a significant cultural event in the UK. HOFA Gallery, known for its support of digital art, has traditionally provided a platform for various forms of this contemporary practice. With the incorporation of emerging technologies such as artificial intelligence and robotic systems, the exhibition not only highlights individual artist projects but also examines broader themes of how art and technology intersect.
The ‘SPACES’ exhibition exemplifies the innovative use of technology in art, featuring pioneering digital works that challenge and expand traditional artistic boundaries. The collaboration between HOFA and Phillips underscores the growing prominence of digital media in contemporary art discourse.
Original Source: www.euronews.com