Anna Calleja’s exhibition at Sim Smith examines domesticity through the themes of love and melancholy. Her artworks reflect on personal and familial histories, the roles of women in Catholic societies, and the effects of modern technology, particularly mobile phones, on human connection. The exhibition encourages viewers to contemplate the nuances of modern life and identity.
Anna Calleja’s exhibition titled ‘One Fine Day in the Middle of the Night’ at Sim Smith, London, presents her unique exploration of love and melancholy through the lens of domesticity. She intertwines autobiographical elements with religious and cultural themes, depicted in paintings that reveal introspection and modern isolation, reflecting on her family history and personal experiences as a queer woman. Moments of tension punctuate serene domestic scenes, like figures retreating into phone screens, blending contemporary life with traditional motifs.
The works address the often-contradictory roles of women, particularly within Catholic societies, stripping away their identities to conform to societal expectations. Calleja’s paintings juxtapose these themes with modern technology’s impact, portraying phones as dual agents of connection and isolation. Her family’s ginger cat, often featured, epitomises the quiet yet profound comfort of domestic life amid subtle melancholia. Calleja infuses her artistry with a deep historical perspective on gender and identity, revealing complex emotional landscapes that invite ongoing contemplation.
Anna Calleja is an emerging artist known for her exploration of contemporary themes through autobiographical works, combining elements of devotional painting with everyday life. Her recent exhibition serves as a platform for reflecting on societal norms surrounding gender and identity, particularly in post-colonial contexts shaped by personal experiences. By delving into her family’s historical narratives, Calleja scrutinises the constraints placed upon women in her cultural background and the psychological ramifications of these legacies within modern domestic spaces.
Calleja’s ‘One Fine Day in the Middle of the Night’ provides a multifaceted examination of love, identity, and modern existence. Through intricate paintings that merge personal history with contemporary issues, she encourages viewers to reflect on the dichotomy of connection and isolation in today’s world. The exhibition highlights the profound impact of familial legacies, societal expectations, and technology on individual experiences, making it a significant artistic commentary on the complexities of modern life.
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