The National Gallery’s exhibition “NG Stories” celebrates its history but neglects to mention notable protests at the site, including suffragette actions and Black Lives Matter demonstrations. While the digital exhibition is engaging, it misses a vital chapter in the gallery’s narrative, presenting a gap in its reflection on social issues.
The National Gallery, which opened in 1824, has long been a vital part of London’s cultural landscape, celebrating two centuries of art. To commemorate its bicentenary, the gallery launched the digital exhibition “NG Stories: Making A National Gallery,” showcasing the institution’s history through interactive displays. While engaging, the exhibition overlooks significant protest actions associated with the gallery’s history, missing an opportunity to address the site’s role as a focal point for activism and public expression. The lack of recognition for events such as the suffragette protests or the Black Lives Matter movement leaves a gap in the narrative, raising questions about the gallery’s commitment to addressing contemporary issues amidst its historical achievements.
The National Gallery’s history began in the early 19th century, initiating its mission to make art accessible to the public. It houses over 2,300 remarkable works, including pieces by renowned artists. This backdrop of art history and public accessibility has transformed the gallery into a stage for various protests over the years, reflecting social and political issues. Despite hosting significant historical events, the gallery’s current exhibition does not adequately acknowledge its role as a space for activism.
In conclusion, while the “NG Stories” exhibition is entertaining and educational, it falls short of reflecting the entire narrative surrounding the National Gallery. Considering its history with protests and activism, there is a missed opportunity to engage with these stories and the current societal dialogues they prompt. Acknowledging these layers could enrich the gallery’s connection with the modern public it seeks to engage.
Original Source: observer.com