*God Willing* at Shipton Gallery explores the intersection of contemporary art and Catholicism through a queer lens. Curator Isabella Greenwood emphasises the need to subvert traditional religious symbols, showcasing works that address the complexities of faith in modern life. The exhibition runs until January 6, 2025, and features diverse artists reimagining spirituality beyond conventional bounds.
The exhibition God Willing at the Shipton Gallery in London showcases contemporary artists who explore and subvert Catholic iconography. Curator Isabella Greenwood highlights the importance of reimagining religious symbols through a queer perspective, inviting artists from diverse cultural backgrounds to engage with themes of religion and identity. Works featured include Lily Bloom’s visceral sculptures and Chelsey Wang’s sleek installations, each challenging traditional notions of sacredness while acknowledging the weight of religious trauma. Greenwood asserts that spirituality remains significant in modern society, and this exhibition aims to reclaim and redefine the divine in contemporary contexts.
The interplay between art and religion has long fascinated creators. In today’s world, artists grapple with the remnants of sacred traditions, transforming them through contemporary lenses. This exhibition exemplifies how artists question and redefine religious symbolism amidst an evolving cultural landscape, particularly through a queer lens. The emergence of diverse artists expressing their relationship with Catholicism reflects broader discussions about faith, identity, and the sacred in modern life.
*God Willing* reveals the ongoing relevance of spirituality in a post-secular world, showcasing how artists can innovate upon and reclaim religious symbols. The exhibition challenges the audience to reflect on the complexities of faith and identity, suggesting that contemporary expressions of spirituality can exist alongside, or even redefine, traditional religious values. Ultimately, it affirms that divinity is not restricted to historical frameworks but can emerge from modern experiences and cultures.
Original Source: www.dazeddigital.com