Somaya Critchlow’s debut exhibition, “The Chamber,” at Dulwich Picture Gallery juxtaposes her provocative black nudes with old master paintings. The show engages critically with themes of objectification and artistry across time. Critchlow, who prefers classic styles, reflects a longstanding admiration for historic artistry, diverging from contemporary norms.
Somaya Critchlow, a 31-year-old English painter, presents her work in the Dulwich Picture Gallery, a renowned London museum known for its old masters. Her exhibition, entitled “The Chamber,” runs until July 20 and forms part of the museum’s “Unlocking Painting” initiative, which connects contemporary artistry with historic pieces. Critchlow prefers the styles of the Renaissance, feeling a strong connection to the naked form, contrasting with the conceptual art emphasis of her education.
Critchlow’s journey into the art world began when she was at school struggling against expectations of modernism. Rather than replicate styles like David Hockney’s glam-realism, she sought to embrace her unique vision. Her fascination with classic art continues to shape her painting philosophy, as she aims to celebrate and explore black nudes within the context of historical artworks by artists such as Rubens, van Dyck, and Velázquez.
Somaya Critchlow’s exhibition at Dulwich Picture Gallery highlights a compelling dialogue between contemporary and classical art. By showcasing her black nudes alongside established masterpieces, she challenges traditional perspectives and celebrates the human form. Critchlow’s work encapsulates a unique appreciation for the Renaissance era, marking a significant contribution to the modern art narrative.
Original Source: www.nytimes.com