The “Tarot—Origins & Afterlives” exhibition at London’s Warburg Institute presents a historical overview of tarot, tracing its evolution from a game to a divination tool. It features unique pieces from Aby Warburg’s collection and showcases various artists’ interpretations across centuries, highlighting the symbolism and cultural relevance of tarot in modern society. The exhibition runs until April 30.
The exhibition “Tarot—Origins & Afterlives” at the Warburg Institute in London marks the first historical overview of tarot in England, showcasing its evolution from a card game to an art form and divination tool. Co-curated by Bill Sherman, the exhibition features a unique tarot collection founded by Aby Warburg, a pioneering scholar in the field. His photographic project, “Bilderatlas Mnemosyne,” explored tarot’s historical significance from the 15th century onwards.
Sherman notes that in today’s chaotic world, tarot offers individuals—especially the younger generation—a sense of agency and alternative perspectives. The exhibition is divided into four historical periods, beginning with tarot’s origins in 1430s Italy, where it was initially used as a game rather than for fortune-telling. Notably, it includes the Sola-Busca Tarot, the earliest complete tarot deck from around 1490, featuring rich iconography and hand-painted engravings.
In the late 15th century, tarot transitioned to southern France, leading to widely-produced Tarot de Marseille decks, foundational to contemporary tarot. Sherman praises the enduring symbols in tarot, stating, “It’s hard to think of another area of cultural life where a particular set of symbols gets established so early and stays… for now 600 years.”
The exhibition also covers tarot’s shift in the 1780s from a game to a divination tool, primarily driven by Antoine Court de Gébelin’s theories about its ancient origins. This period saw the emergence of decks designed specifically for fortune-telling. A highlight is the original paintings by Lady Frieda Harris for the Thoth Tarot, being publicly displayed for the first time.
The final section examines tarot’s modern interpretation, which often encompasses political or activist themes. An example includes the “Lockdown Tarot” by John Walter, reflecting contemporary issues and figures, such as David Lynch and Donald Trump. Sherman asserts that tarot remains a popular and accessible art form, adaptable to current societal contexts. The exhibition is open until April 30.
“Tarot—Origins & Afterlives” at the Warburg Institute not only chronicles the historical journey of tarot cards but also reflects their cultural significance today. The exhibition highlights tarot’s transformations over centuries, its resilience in art and society, and its capacity to convey contemporary narratives. As an accessible form of expression, tarot remains relevant and influential in today’s world.
Original Source: www.artnews.com