Linder’s exhibition at the Hayward Gallery traces her journey from Buzzcocks cover artist to significant Brit artist. Known for her provocative collages, she critiques the objectification of women and explores themes of identity and femininity. The exhibition, running until May 5, 2025, includes a variety of her works, reflecting her influence over decades.
In 1977, the U.K. punk band Buzzcocks chose Linda Mulvey’s photomontage for their single “Orgasm Addict.” This marked the start of her artistic journey, leading to her reinvention as Linder, who formed the band Ludus to explore themes surrounding the commodification of women’s bodies and performative expression. Her current exhibition, “Linder: Danger Came Smiling” at London’s Hayward Gallery, showcases her evolution from punk artist to a significant figure in Brit art.
The exhibition features multiple versions of the “Orgasm Addict” artwork, including a large print titled “It’s The Buzz, Cock!” Created in 2015, this piece sets the tone for the show, which includes Linder’s humorous and critical view on the male gaze. Her innovative collage work, reminiscent of Dada, combines elements from porn and women’s magazines, playfully juxtaposing nudity with everyday objects to challenge the objectification of women.
Linder’s music career also flourished, featuring photographs of Buzzcocks founder Howard Devoto and designs for their records. However, after a quieter time in the 1990s, her work re-emerged in the mid-2000s, focusing again on themes from porn and fetishism, such as in her work “Action Rituelle des Ancêtres,” which explores identity through food.
A resurgence of interest in her work occurred in 2013, with notable exhibitions at various institutions reflecting her influence and shock value. During this time, she also performed and collaborated with choreographer Kenneth Tindall, producing ballets that layered her visual art with dance. Current works like “L’effet de la curiosité féminine” examine aspects of femininity and representation, further showcasing her artistic range and commentary on womanhood.
One of Linder’s newest pieces, “The Most Sacred Monster of Photomontage in Her Time,” pays homage to Salvador Dalí, adapting themes of identity and disruption relevant to today’s issues, such as deepfakes affecting women’s imagery. Linder’s work continues to push boundaries and reflect an anarchistic influence, positioning her as a precursor to contemporary art influencers.
“Linder: Danger Came Smiling” will be on display at the Hayward Gallery until May 5, 2025, and advanced booking is suggested for those wishing to experience her extensive retrospective.
Linder’s exhibition unfolds her journey from a punk provocateur to a vital Brit art figure. Through collage, performance, and themes surrounding femininity, she scrutinises societal norms while showcasing her evolution as an artist. This retrospective underscores her enduring impact on both the art and cultural landscapes, positioning Linder as a prominent figure in contemporary discussions on gender and representation.
Original Source: observer.com