Taylor Jay Productions will stage “35mm: A Musical Exhibition” at the Phoenix Arts Club on 7th and 8th July 2025. This revival features songs inspired by photography, directed by Dean Johnson, with marketing handled by Samuel Seventeen Social. More casting details are forthcoming.
Taylor Jay Productions is set to present a fresh staging of “35mm: A Musical Exhibition” at the Phoenix Arts Club in London. The show will be a limited run, taking place over two nights—Monday 7th July and Tuesday 8th July 2025. This revival of Ryan Scott Oliver’s acclaimed song cycle follows their successful, Offie-nominated production of “[title of show]” at Southwark Playhouse.
The musical combines striking photography with captivating songs. Each number is inspired by a photograph by Broadway photographer Matthew Murphy and merges styles like rock and pop with modern musical theatre. Directed by Dean Johnson, known for works like “Bare” and “Once,” and musically directed by Ben Ward of “UNHEARD” fame, the show aims to offer an engrossing experience.
Samuel Seventeen Social is in charge of the marketing and social media for the production, whereas Taylor Jay Productions is handling general management aspects. More detailed casting information is expected to follow soon.
Dean Johnson states, “This revival of 35mm: A Musical Exhibition is a testament to the boundary-pushing spirit of contemporary musical theatre. We are thrilled to bring this innovative show to London audiences.”
Those interested can find listings and ticket information through the provided links. Stay tuned for what promises to be an exciting return to the stage, blending visual artistry with compelling musical narratives.
Taylor Jay Productions is bringing “35mm: A Musical Exhibition” to the Phoenix Arts Club for two nights in July 2025. This innovative staging connects music with striking photography and is directed by Dean Johnson. With full casting details still to come, anticipation is building for this musical event that celebrates contemporary theatre.
Original Source: theatreweekly.com