Simon Elliott, a Bridport artist, will showcase two pieces in the political art exhibition “Rage Against The Dying Of The Light” in London. His works explore themes of war, loss, and the impact of corporations like BP on communities. The exhibition runs from January 3 to February 2 at the Omnibus Theatre and features 21 artists.
A Bridport artist, Simon Elliott, has gained recognition for his compelling works, which will be showcased in a political art exhibition in London called “Rage Against The Dying Of The Light.” Running from January 3 to February 2 at the Omnibus Theatre in Clapham Common, hosted by the Red Art Club, the exhibition features works from 21 artists addressing diverse political themes.
Elliott’s pieces aim to explore historical art’s commentary on war and loss, inspired by masters such as Picasso and Michelangelo. One featured painting, “Oh What Lovely Wall Art,” represents his great-niece Mollie as Cupid taming the lions of war, symbolising a child’s potential to influence adult decisions towards peace. The artwork, created with acrylic, pen, and pencil on canvas, employs a mixed-media approach to depict narratives of wartime suffering and the capacity of art to evoke change.
His second painting addresses the ramifications of gas flares from BP on communities, particularly focusing on the connection between toxic emissions and child cancer cases in regions like Iraq. He originally had the piece commissioned by the British Museum for a project responding to a Michelangelo exhibition but encountered restrictions on discussing political issues regarding BP sponsorship. “I hope such images can help inform and open conversations about how we look after local communities…” he remarked, reflecting on the importance of amplifying overlooked voices. Elliott finds inspiration from his surrounding Bridport landscape, often depicting the views of Colmers Hill.
This article discusses Simon Elliott, an artist from Bridport, who has been invited to participate in a significant political art exhibition in London. Political art aims to address and provoke discussions around current sociopolitical issues, using various artistic styles and mediums to convey powerful messages. Elliott’s works specifically tie in elements reflecting historical perspectives on war and contemporary issues related to corporations and community health, showing the intersection of personal experiences and broader political contexts.
In summary, Simon Elliott’s participation in the London exhibition not only showcases his artistic talent but also highlights pressing social issues. His works delve into historical art’s relevance in contemporary political discourse, bridging personal narratives with larger community concerns. The exhibition presents an opportunity for audiences to engage with thought-provoking themes of war, loss, and corporate responsibility, fostered through Elliott’s expressive art.
Original Source: www.bridportnews.co.uk