The Warburg Institute in London presents “Tarot: Origins and Afterlives,” showcasing the evolution of tarot cards from a Renaissance card game to modern spiritual tools. The exhibition includes historic cards from artists like Giuseppe Maria Mitelli and Bonifacio Bembo, illustrating the changing interpretations of tarot through the ages.
A new exhibition at London’s Warburg Institute, titled “Tarot: Origins and Afterlives,” explores tarot’s transformation from a Renaissance pastime to a significant aspect of modern spirituality. Featuring artworks, including tarot cards by Giuseppe Maria Mitelli, the exhibition illustrates tarot’s ambiguity and evolving interpretations over centuries. Notably, the exhibit also highlights early cards by Bonifacio Bembo and their influence from Renaissance ideals.
Tarot cards have a rich history, initially appearing in 15th-century Italy as an elite card game. The pleasure of playing gradually morphed into a deeper significance, where tarot came to be regarded as tools for divination and self-reflection. The spread of tarot across Europe was facilitated by soldiers returning from wars, bringing standardised decks, which contributed to its widespread popularity. Curators aim to highlight critical historical moments, showcasing how tarot continues to adapt to contemporary culture.
The Warburg Institute’s exhibition sheds light on the intricate journey of tarot through history, marking its evolution from a mere game to a complex system of divination and spirituality. The featured artefacts reveal both the artistic beauty and philosophical depth of tarot, demonstrating the cards’ continued relevance. This exploration underscores tarot’s ability to reflect societal changes and personal journeys across time.
Original Source: www.nytimes.com