Pratt Manhattan Gallery is set to unveil “Seeing Sound” on September 27, an exhibition curated by renowned media art curator Barbara London, who is credited with founding the Video-media Exhibition & Collection Programs at The Museum of Modern Art (MoMA) in New York. The exhibition showcases works from ten artists spanning various global cities, including Seth Cluett, Juan Cortés, Iain Forsyth & Jane Pollard, Auriea Harvey, bani haykal, Yuko Mohri, Marina Rosenfeld, Aura Satz, and Samson Young. London notes that media art is continually evolving alongside emerging audio-visual technologies and how we engage with art, whether physically or through digital platforms. Centre to the exhibition are diverse sound installations — such as decomposing sound sculptures and audio-video setups that utilise interactive technologies. These artists redefine sound as a versatile medium, creating immersive experiences that highlight its significance both in art and everyday life. “Seeing Sound” will run until December 17 at 144 West 14th Street, New York City, with a public launch event on September 26, 6 to 8 pm. The event is free and open to all, with further details available at pratt.edu. This exhibition is part of a travelling event curated by Barbara London, supported by Kristen Clevenson and produced by Independent Curators International (ICI), backed in part by Nokia Bell Labs as part of their E.A.T. programme and other institutions.

“Seeing Sound” reflects the growing intersection of sound and visual art, highlighting how sound has become an integral aspect of contemporary art practices. The exhibition seeks to challenge conventional perceptions of art, showcasing how emerging technologies can redefine artistic experiences. With contributions from a diverse roster of international artists, the exhibition is poised to engage audiences with innovative auditory and visual experiences.

In conclusion, “Seeing Sound” at Pratt Manhattan Gallery presents a unique exploration of the role of sound in modern art. Through innovative practices and contributions from a varied group of artists, the exhibition aims to redefine the boundaries of art, inviting audiences to experience sound as both a tangible and ethereal element of artistic expression. The inclusive nature of the event makes it accessible, promising a fresh perspective on contemporary art.

Original Source: hyperallergic.com

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Naomi Campbell, at 54, continues to captivate the fashion world after over 40 years in modelling. In a recent call from Claridge’s, she expressed her nerves before stepping onto the runway, asserting that she never takes her career for granted. With each show, including her recent appearance at Ralph Lauren, Campbell adopts a new persona, which she describes as a spontaneous performance. During New York Fashion Week, she was celebrated with an award from Harlem’s Fashion Row, an initiative promoting diversity in fashion. Her presence at events, such as the Alaïa show, sparked media scrutiny when footage circulating online showed Rihanna passing by her without acknowledgment, leading to claims of a snub. Campbell, however, dismissed any notions of rivalry: “I’m not about to let the world pitch two Black women against each other. We are two women with two children, mothers.”

This article highlights Naomi Campbell’s enduring influence and relevance in the fashion industry. It also touches upon current trends, such as emerging initiatives for diversity and the dynamics of social interactions at high-profile events.

Naomi Campbell remains an iconic figure in fashion, unperturbed by controversies while championing motherhood and female solidarity. Her ability to evoke new personas reflects her continued evolution as a performer in the industry.

Original Source: www.nytimes.com

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The Design Museum, currently showcasing an exhibition on Tim Burton, is set to host ‘Wes Anderson: The Exhibition’ next year, marking the first comprehensive retrospective of the celebrated director. This exhibition will take visitors on a journey through Anderson’s creative progression, featuring insights into his early film experiments and his latest works. In partnership with Cinémathèque française, it will present a detailed exploration of his filmography, from classics like ‘Rushmore’ (1998) to his recent film ‘Asteroid City’ (2023). Attendees will have the opportunity to view a curated collection of costume designs and props that are integral to many of Anderson’s beloved films. The exhibition will also offer unique insights into his artistic influences, providing a distinctive perspective on his contributions to modern cinema, all set against the backdrop of his vibrant visual style. ‘Wes Anderson: The Exhibition’ is scheduled to run from 21 November 2025 to 4 May 2026, with tickets available for purchase next year.

Wes Anderson is known for his distinctive visual and narrative style in cinema, characterised by meticulous design, whimsical storytelling, and a unique use of colours. This exhibition serves to highlight his cinematic contributions and creative process, making it the first of its kind to thoroughly analyse his work. The Design Museum has recently opened an exhibition on Tim Burton, indicating a growing trend of showcasing influential filmmakers in contemporary art spaces, which helps bridge the gap between film and visual art.

The upcoming ‘Wes Anderson: The Exhibition’ at the Design Museum promises to be an exciting retrospective event, offering fans and film enthusiasts an in-depth look at Wes Anderson’s impact on cinema. With an array of curated pieces and insights, visitors will celebrate the whimsical aesthetic and storytelling prowess that define his films. Scheduled to run from late 2025 to early 2026, this exhibition is a highly anticipated addition to the design and art landscape.

Original Source: secretldn.com

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Frieze London 2024 is set to return from October 9–13, amidst a vibrant contemporary art scene amid market uncertainties. This prestigious event, which has been a highlight since its inception in 2003, continues to attract an international audience, alongside the established Frieze Masters since 2012. The 2024 edition promises a new layout and innovative design by Studio Between. A standout feature includes a ceramic program curated by Pablo José Ramírez, focusing on indigenous and diaspora practices. Highlights include: – Focus Section: Showcasing 34 solo and duo exhibitions from emerging galleries globally. – Exhibitors: Over 160 galleries, including renowned names such as Sadie Coles HQ, White Cube, and Gagosian. – Artist-to-Artist Project: Returning mentorship collaborations between prominent and emerging artists, featuring figures like Lubaina Himid and Rashid Johnson. – Spotlight Section: Celebrating artists from the 1950s to 1970s, including Judy Chicago and Nabil Nahas. – In the Studio Section: Featuring live artistic demonstrations by artists like Nathalie Du Pasquier. – Frieze Sculpture: An outdoor exhibition showcasing 22 international artists, focusing on contemporary themes, running until October 27, 2024. Visiting Details: – Location: The Regent’s Park, London. – Opening Hours: – October 9 (VIP only): 11:00 AM – 7:00 PM. – October 10-12: 11:00 AM – 7:00 PM. – October 13: 11:00 AM – 6:00 PM. – Frieze Sculpture: Open since September 18, 2024.

Frieze London is one of the most significant events in contemporary art, showcasing leading galleries, emerging artists, and influential projects. Since its establishment, Frieze has set trends and connected global art communities, influencing both the art market and public engagement with contemporary art. The fair’s expansion into other global cities highlights its importance, but London remain the heart of this renowned art fair. Each year’s iteration brings fresh themes, innovative projects, and renowned artists, contributing to the ongoing conversation in the art world.

Frieze London 2024 promises to be an exciting opportunity for art lovers, collectors, and professionals alike, featuring a diverse range of exhibitions and programmes. Noteworthy elements include a fresh layout, an emphasis on emerging talent, and impactful special projects. This year, visitors will engage with both historical and contemporary art forms, enhancing London’s status as a central hub for the global art scene.

Original Source: www.domusweb.it

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The F1 Exhibition in London showcases the thrilling history and future of Formula 1 racing. Opened on August 23, 2024, at ExCeL London, this event follows exhibitions held in Madrid, Vienna, and Toronto since 2023. Created in collaboration with Hingston Studio and the Silverstone Museum, the exhibition spans 70 years of F1 with six interactive zones featuring rare artefacts, unseen films, and insights into car design and driver stories. Key zones include: 1. Once Upon A Time in Formula 1: Highlights significant moments and iconic cars like the Ferrari 156 and Lotus 72D. 2. Design Lab: Offers a look into F1 car manufacturing, featuring the Red Bull RB16B. 3. Drivers and Duels: Celebrates F1 champions and their gear, showcasing helmets and uniforms. 4. Revolution by Design: Focuses on technological advances in car design, displaying historic models including the 1988 McLaren MP4/4. 5. Survival: Commemorates safety improvements after accidents, including the remains of Romain Grosjean’s car from a serious crash. 6. The Pit Wall: Provides an immersive cinematic experience recounting F1’s extensive history. The exhibition combines design and innovation for a comprehensive visitor experience, reinterpreting F1’s narrative through visual storytelling and interactive displays.

The Formula 1 Exhibition emerges as a pivotal initiative to celebrate the sport’s rich history and technological advancements. Announced in July 2022 and first exhibited in Madrid, this London display promises an immersive journey through the sport’s past and future, capitalising on the increased popularity of F1 driven by media representations like Netflix’s ‘Drive to Survive’. With contributions from leading design studios and racing museums, the exhibition aims to present a thorough view of F1’s evolution over 70 years.

The F1 Exhibition London offers an extensive look at the sport’s legacy, showcasing advancements in technology, design, and athlete narratives. By featuring significant historical moments, iconic cars, and a focus on safety and innovation, the event represents a comprehensive tribute to Formula 1, engaging both fans and newcomers alike.

Original Source: www.stirworld.com

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The 2024 Ukrainian Film Festival, themed ‘Reflections’, will be held in Soho, London, from 19-22 September 2024, showcasing the depth of Ukrainian cinema. Organised by the Ukrainian Institute London, the festival highlights themes of self-reflection and self-determination amidst ongoing conflict. Historian Olesya Khromeychuk emphasised the necessity of exploring Ukrainian culture against the backdrop of Russian propaganda. The festival celebrates influential cinematic works, including a 130th anniversary tribute to acclaimed director Oleksandr Dovzhenko with a screening of his 1930 film, Earth, enhanced by a new score from DakhaBrakha. Other notable screenings include the documentary Mission 200, which centres on a woman transporting fallen soldiers’ bodies, Klondike, which chronicles the MH17 disaster, and Intercepted, which contrasts war destruction with intercepted Russian military communications. A selection of shorts from the Kyiv International Short Film Festival will also showcase the perspectives of young filmmakers reflecting on the experiences of over six million Ukrainian refugees.

The Ukrainian Film Festival serves as an important cultural platform aiming to highlight the resilience and creativity of Ukraine amidst ongoing conflict. With an emphasis on both historical and contemporary cinematic contributions, the festival aims to foster a deeper understanding of Ukrainian national identity and cultural heritage. The focus on self-determination is especially poignant given the current geopolitical situation faced by Ukraine.

The 2024 Ukrainian Film Festival in London presents a vital opportunity to engage with Ukrainian cinema and its narratives of resilience and trauma. Through a blend of historical masterpieces and contemporary works, the festival aims to deepen the audience’s understanding of Ukraine’s cultural landscape, while providing a platform for meaningful dialogue regarding the ongoing war and its impacts.

Original Source: www.euronews.com

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Mati Granica, a 20-year-old photographer from Andover, has gained recognition after having his atmospheric photograph of his hometown chosen for display at the Mall Galleries in London, located near Buckingham Palace. The image was submitted for a landscape exhibition by Granica just a few months before receiving the surprising acceptance email. Granica expressed his disbelief and delight at this prestigious opportunity, highlighting the honour of being included alongside talented photographers from across the UK. The exhibition, organised by Light and Land, featured a variety of landscape, nature, and cityscape artworks. Granica shared his pride in exhibiting his work, stating, “I’ll never forget the feeling of hanging up my image and then stepping out onto the Mall, with Buckingham Palace literally down the road.” His photograph, titled ‘The Ghost of the Town,’ had already received acclaim when he entered it into the UK Landscape Photographer of the Year competition last year. As he studies photography at the University of Arts in London, Granica is preparing for his graduation exhibition, which will explore new multimedia elements combining photography, film, and virtual experiences. He conveyed his hope to maintain his early career momentum.

Mati Granica’s journey as a young photographer showcases the potential for emerging artists to gain recognition through their work. His recent achievement at the Mall Galleries highlights the importance of local inspiration, as his selected photograph was of personal significance, capturing a moment with his father in Andover. This event not only marks a milestone in Granica’s career but also reflects the broader trend of newer photographers gaining platforms to showcase their talents in esteemed galleries.

Mati Granica’s selection for a prestigious exhibition in London represents a significant achievement in his developing photography career. His art, rooted in personal experience, resonates with audiences and underscores the importance of local landscapes in the broader context of UK photography. Granica continues to push boundaries as he prepares for future projects, showing promise for a bright future ahead.

Original Source: www.andoveradvertiser.co.uk

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The Design Museum in London has unveiled an exciting lineup for 2025, featuring exhibitions spotlighting the renowned filmmaker Wes Anderson and the iconic Blitz club. Launching in November 2025, the exhibition dedicated to Wes Anderson will showcase his evolution from his early works in the 1990s to his latest films, highlighting original props and costumes, including pieces from his personal collection, and offering exclusive behind-the-scenes insights into his creative process. Additionally, starting in September 2025, the exhibition on the Blitz club will celebrate its influence on 1980s music and fashion, presenting previously unseen garments, drawings, photographs, and films, curated with input from notable Blitz Kids like Boy George and Princess Julia. In early 2025, the museum will also present “Splash! A Century of Swimming and Style,” exploring the interplay between swimming and design over the last century, and “More Than Human,” which will examine sustainable design practices. A variety of free displays will complement the main exhibitions, engaging visitors across multiple disciplines.

Wes Anderson is a celebrated filmmaker known for his unique visual and narrative style, which has captivated audiences since the 1990s. The Blitz club was a pivotal venue in the 1980s, fostering a vibrant cultural scene that influenced music, fashion, and design. The Design Museum aims to highlight these influential cultural movements while also exploring contemporary design challenges through exhibitions in 2025.

In summary, the Design Museum’s 2025 programme is set to embrace significant cultural milestones through exhibitions featuring Wes Anderson and the Blitz club. These displays will provide insights into the creative minds that shaped them while also addressing broader themes of design in society.

Original Source: londontheinside.com

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Garfield Myrie from Euronews Culture interviews Vernon Rapley, Director of Cultural Heritage Protection and Security at the Victoria and Albert Museum (V&A) in London. Rapley leads the V&A’s Culture in Crisis Programme, a global initiative aimed at safeguarding cultural heritage from threats such as climate change and conflict. With a 24-year background in Scotland Yard, Rapley brings substantial enforcement experience to the programme. Established following the cultural destruction in Syria and Iraq by ISIS, the Culture in Crisis Programme aims to mobilise museums and individuals to take action against such losses. The initiative draws parallels with the 2014 film “The Monuments Men,” showcasing efforts to protect cultural artefacts during the Second World War. A significant tool in this initiative is the Culture in Crisis Portal, launched in 2014, which encourages collaboration among various entities focused on cultural preservation. The portal has registered over a thousand projects, enabling organisations to share information and identify synergies, enhancing the effectiveness of their efforts. Rapley highlights the urgent need for cooperative action due to ongoing threats to cultural heritage, as evidenced by a recent UNESCO report documenting damage to 435 cultural sites since early 2022. Although conflict poses a severe threat, he notes that cultural heritage faces dangers from natural disasters and unsustainable tourism practices as well. Looking ahead, Rapley expresses hope that more cultural institutions will contribute to heritage preservation efforts. He acknowledges the supportive stance of V&A’s current director, Tristram Hunt, and envisions building the world’s largest database of preservation projects. The programme relies on ordinary individuals undertaking extraordinary actions to combat the threats facing global heritage.

Cultural heritage is increasingly under threat from various factors, including armed conflict, climate change, and tourism. Initiatives like the Culture in Crisis Programme, spearheaded by the V&A’s Vernon Rapley, aim to protect significant cultural sites worldwide. The programme synthesises global efforts to safeguard cultural heritage, encouraging collaboration and data sharing via the Culture in Crisis Portal. In light of ongoing conflicts, particularly in areas like Ukraine, the urgency of coordinated action is paramount to preserving cultural identity and history.

The Victoria and Albert Museum’s Culture in Crisis Programme represents a critical response to the threats facing worldwide cultural heritage. With technology facilitating collaboration, the initiative gathers resources and promotes awareness among global heritage sites. Continuous support and involvement from cultural institutions are crucial as the need for preservation grows amid increasing challenges from conflict and climate change.

Original Source: www.euronews.com

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The National Gallery in London is hosting a significant exhibition titled “Van Gogh: Poets and Lovers,” which runs until January 19, 2025. This show highlights Van Gogh’s unique perspective on the world through over 50 artworks loaned from prestigious institutions like the Van Gogh Museum and Musée d’Orsay. Key Works Displayed: – The Sower (1888): Features an agricultural labourer scattering seeds, showcasing Van Gogh’s use of vivid, surreal colours. – The Lover (Portrait of Lieutenant Milliet) (1888): Reflects Van Gogh’s friendship with Lieutenant Milliet, whom he admired for his charm with women, shared in a letter to his brother Theo. – Landscape near the Abbey of Montmajour (1888): Captures Montmajour Abbey within a rugged setting, with a truthful yet unique perspective. – The Bedroom (1889): Depicts Van Gogh’s rented room in Arles, originally painted in vibrant purple hues, its colours intended to convey peace. – The Poet (Portrait of Eugène Boch) (1888): A semi-fantastical portrait of fellow artist Boch, symbolising an artist’s dreams, with a rich blue background to evoke mystery. The exhibition seeks to deepen appreciation for Van Gogh’s artistry, revealing the influence of his surroundings and relationships.

Vincent van Gogh, a pivotal figure in Western art, is known for his vibrant use of colour and emotive expression. His works, including **The Starry Night** and **Sunflowers**, have become iconic. This exhibition at the National Gallery in London not only showcases actual pieces from his oeuvre but also places them within the context of his personal relationships and surroundings, enhancing understanding of his artistic vision. The exhibition coincides with the National Gallery’s 200th anniversary, aiming to broaden public interest in Van Gogh’s work and influence.

The ‘Van Gogh: Poets and Lovers’ exhibition is an essential exploration of Van Gogh’s artistry and relationships, featuring key works and offering insights into his reinterpretation of the world. It reinforces the connection between his personal life and creative output, encapsulating the spirit of his experimentation and emotional depth.

Original Source: news.artnet.com

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