AKIMA MCPHERSON - The London Bell https://thelondonbell.com Sun, 15 Dec 2024 06:15:28 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.5 https://thelondonbell.com/wp-content/uploads/2023/10/cropped-Screenshot-2023-10-26-at-20.21.48-32x32.png AKIMA MCPHERSON - The London Bell https://thelondonbell.com 32 32 Charlotte and Mal Woolford’s “No Relation”: Redefining Portraiture in Photography https://thelondonbell.com/2024/12/15/charlotte-and-mal-woolfords-no-relation-redefining-portraiture-in-photography/ Sun, 15 Dec 2024 06:14:47 +0000 https://thelondonbell.com/2024/12/15/charlotte-and-mal-woolfords-no-relation-redefining-portraiture-in-photography/ Charlotte and Mal Woolford use wet-plate collodion photography to create collaborative portraits, challenging traditional photography roles. They incorporate Demerara sugar in their developer, connecting their […]

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Charlotte and Mal Woolford use wet-plate collodion photography to create collaborative portraits, challenging traditional photography roles. They incorporate Demerara sugar in their developer, connecting their work to cultural heritage and exploring photographic representation.

Charlotte and Mal Woolford, known for their innovative approach to photography, employ the wet-plate collodion technique to create portraits that challenge traditional roles within photography. Rather than operating as mere photographer and subject, they collaborate as co-photographers, shifting the narrative towards equal representation and control. Additionally, they unique incorporate Demerara sugar from Guyana into their developer mix, adding a distinctive aspect to their photographic process and output.

The Woolfords’ exhibition titled “No Relation” reflects a contemporary rethink of historical photographic practices, particularly addressing the problematic nature of early images such as the Zealy/Agassiz daguerreotypes. This exhibition not only showcases their artistry but also interrogates the historical implications of photography, embodying a shared creative ownership that disrupts traditional hierarchical representations in the medium. The inclusion of Demerara sugar highlights a connection to their cultural heritage and further experimentation in their craft.

In summary, Charlotte and Mal Woolford’s exhibition exemplifies a radical approach to photography that seeks to redefine identity and representation. Their use of the wet-plate collodion method coupled with Demerara sugar signifies a profound engagement with history while asserting equal creative ownership. This exploration invites viewers to reconsider the narratives constructed through photographs and the materials that shape these stories.

Original Source: www.stabroeknews.com

The post Charlotte and Mal Woolford’s “No Relation”: Redefining Portraiture in Photography first appeared on The London Bell.

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