The Romanian Cultural Institute in London held a royal exhibition featuring photography by Princess Sophie of Romania. On 29 October, the event in Belgravia showcased her project, ‘Of Stone and Steel – A Voyage into the World of Urbex’, focusing on dilapidated buildings in Romania, particularly in Brașov. Princess Sophie highlighted the importance of preserving history, stating that her project aimed to illuminate the stories of historic structures now in decay. The exhibition encouraged local authorities to take action to restore these landmarks to their former glory.

The exhibition at the Romanian Cultural Institute marked a significant cultural event, spotlighting the work of Princess Sophie, who is dedicated to raising awareness about Romania’s architectural heritage. It provided a platform for discussing the restoration of historic buildings, underscoring the importance of history in societal progress. This event also fostered connections between the Romanian community in the UK and its royal figures.

The exhibition highlighted the efforts of Princess Sophie to advocate for the preservation of Romania’s cultural heritage through her photography of abandoned buildings. By sharing the untold stories of these structures, she aims to inspire local authorities and the public to engage with their historical significance and potential for restoration. This initiative reflects a commitment to respecting the past as a means to secure a brighter future.

Original Source: www.swlondoner.co.uk

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A major retrospective exhibition of Do Ho Suh, an acclaimed Korean-born artist, is set to open at Tate Modern in London on May 1, 2025, running until October 26, 2025. Celebrated for his immersive installations, Suh’s work explores themes of home, identity, and belonging, inviting viewers to contemplate the essence of what home truly signifies. This exhibition, described as the first major solo show of his work in London for a generation, promises to offer a visually stunning experience, perfect for sharing on social media. Visitors can expect new installations created specifically for this exhibition, alongside iconic pieces, including life-size replicas of Suh’s previous residences. Key highlights will be the ambitious installation “Nest/s 2024” and “Perfect Home: London, Horsham, New York, Berlin, Providence, Seoul 2024,” which is a colourful outline of his current home in London filled with vibrant architectural elements. Suh’s reflective works encourage audiences to ponder complex questions of home as a physical location, an emotional concept, or an abstract idea. The title “Walk the House” reflects the Korean hanok tradition, symbolising a house that can be dismantled and relocated. Beyond the larger installations, the exhibition will include delicate paper works and videos, such as “Robin Hood Gardens 2018” and “Dong In Apartments 2022,” which utilise photogrammetry to depict architecture as a living entity. Additionally, the exhibition will conclude with an area dedicated to Suh’s ongoing “Bridge Project,” which examines the intersection of a ‘perfect home’ with real-world social, political, and ecological issues. Ticket sales have yet to commence, but Suh’s exhibition will be part of Tate Modern’s packed 2025 program, which includes other notable shows like Leigh Bowery and a celebration of Picasso’s work.

Do Ho Suh is a renowned artist recognised for his intricate installations that often reflect on personal and cultural identity. His works commonly explore concepts of home, memory, and space, drawing connections between individual and collective experiences. Tate Modern’s upcoming exhibition is particularly significant as it marks a substantial return of Suh’s work to London, promising to engage audiences with its visually striking and thought-provoking installations. The exhibition intends to highlight his unique approach to architectural replication and the emotional narratives behind them, making it a not-to-miss event next year.

The Do Ho Suh exhibition at Tate Modern will showcase a range of works that challenge visitors to reconsider the meaning of home and identity. Engaging with themes of belonging and the interplay between physical and emotional spaces, this retrospective promises to deliver a rich experience through both major installations and delicate artworks. With the anticipation building for the exhibition, it is a noteworthy addition to Tate Modern’s diverse 2025 programme, alongside other significant art exhibitions.

Original Source: www.maxwellmuseums.com

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A new exhibition, Picasso: Printmaker, is set to open at the British Museum in London on November 7th, 2024. This retrospective highlights Pablo Picasso’s works spanning his entire career, from 1904 to the 1960s. Focusing on his prints, the exhibition reveals both his artistic creativity and his complex personal life, addressing his relationships and collaborations. Catherine Daunt, the curator, emphasises that Picasso’s prints are original works that showcase his extensive skills and innovative printmaking techniques, such as lithographs and etchings. This exhibition aims to illustrate Picasso’s continuous exploration and experimentation in art until the end of his life.

The British Museum’s new exhibition, Picasso: Printmaker, aims to provide a comprehensive overview of Pablo Picasso’s artistic journey through his print works. Unlike traditional displays that focus on paintings or sculptures, this exhibition allows a deeper insight into the artist’s psyche and creativity. It also touches upon important themes in Picasso’s life, including his relationships with women and his collaborations in the art world. By showcasing a variety of printmaking techniques, the exhibition illustrates Picasso’s versatility and experimental spirit in the realm of printmaking.

The Picassso: Printmaker exhibition at the British Museum celebrates the significant role of prints in Picasso’s oeuvre and offers a fresh perspective on his artistic genius. By focusing on his printmaking from 1904 to the 1960s, the exhibition reveals the profound narratives behind his artworks, ranging from personal reflections to societal commentary, thus reaffirming Picasso’s status as a pivotal figure in 20th-century art.

Original Source: faroutmagazine.co.uk

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The Charles Burnand Gallery debuted at PAD London 2024 with its exhibition “Spectral Landscapes: The Fusion of Organic and Futuristic Design,” showcasing from October 8 to 13. This innovative display intertwined natural aesthetics with avant-garde design, featuring the contributions of notable artists and studios such as Kyeok Kim, Heechan Kim, and Dawn Bendick. Each showcased their interpretation of the relationship between organic forms and futuristic elements, exploring themes of identity, materiality, and craftsmanship. Noteworthy pieces included Kyeok Kim’s tactile creations that blurred body and environment, Heechan Kim’s alien-like wood veneer forms, and Studio Furthermore’s ethereal Diode Dining Table made from recycled materials. The exhibition offered a sensory exploration of design’s potential when integrating nature and technology. Artworks invited reflection on contemporary aesthetics, sustainability, and the role of innovative practices. Spectral Landscapes effectively celebrated modern design’s capacity to fuse organic beauty with futuristic concepts, providing visitors with a uniquely immersive experience.

PAD London is a prominent design fair that showcases innovative and avant-garde work from various artistic disciplines. The 2024 iteration featured the Charles Burnand Gallery’s inaugural participation, highlighting contemporary design’s thematic interplay between organic shapes and futuristic visions. The exhibition included a diverse range of artists and designers who employed different materials and techniques to explore these concepts, thus encouraging dialogue about the intersection of nature and modernity in design.

In summary, the Charles Burnand Gallery’s “Spectral Landscapes” at PAD London 2024 put forth a compelling narrative combining elements of nature and futuristic design. Through diverse contributions, the exhibition showcased innovative interpretations of materiality and identity, while inviting guests to contemplate the future of design. This immersive event encapsulated the essence of contemporary art, celebrating the synthesis of organic beauty with avant-garde innovation.

Original Source: www.stirpad.com

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Dominic Chambers’ debut solo exhibition, “Meraki”, at Lehmann Maupin in London features a compelling array of paintings that merge the abstract and emotional. Drawing on the Greek term that speaks to pouring one’s soul into work, Chambers’ art pushes the boundaries of traditional realism, entering a realm of poetic expression. His vibrant palettes and surreal elements reflect a blend of personal experience and literature, making the paintings serve as metaphors for universal human conditions, transcending the ordinary to capture deeper spiritual connections. The exhibition occupies two floors of the gallery, highlighting a progression in Chambers’ exploration of colour as a character within his works. He believes that colour conveys emotional depth and psychological states, akin to an angelic messenger. Influenced by poets like Mary Oliver and Ralph Waldo Emerson, Chambers interprets his paintings as reflections of interconnectedness between the inner self and the external world, aimed at rekindling wonder and introspection. Notably, Chambers highlights the role of imagination and memory in understanding one’s surroundings, offering a holistic view through his art. His works evoke a child’s perspective, seamlessly blending reality with the surreal, and inviting viewers to revisit the joy of youthful wonder. The exhibition remains open through November 9, allowing audiences to engage with Chambers’ evocative interpretations of life’s complexities.

Dominic Chambers is a Yale graduate whose artistic practice has quickly gained recognition in the contemporary art scene. His work reflects an evolution from traditional painting paths to a more abstract and emotionally resonant form of visual storytelling. The theme of his exhibition, ‘Meraki’, encapsulates his commitment to infusing personal and poetic depth into art, emphasising the spiritual and psychological attributes of colour and imagery, which resonate with his influences from literature and philosophy, particularly in relation to the human condition and interconnectedness.

Chambers’ exhibition, “Meraki”, represents a significant enhancement of his artistic journey by harmonising vivid colour usage with a sense of nostalgia and emotional clarity. By creating artworks that evoke both the wonder of childhood and a deep spiritual interconnectedness, Chambers invites viewers to engage with their inner landscapes. This exhibition not only reflects his talent but also his philosophical engagement with the relationship between individual experience and universal themes of existence. It’s a testament to the transformative power of art, encouraging a renewed sense of wonder in viewers.

Original Source: observer.com

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The Nunnery Gallery’s exhibition, “In the Footsteps of the East London Group,” showcases a remarkable synthesis of historical and contemporary art. Spanning the works of the East London Group from the 1920s and 1930s alongside 22 contemporary artists, it highlights the evolving relationship between artists and their environments. Works from both eras illustrate stark contrasts: contemporaries offer vibrant urban scenes, while earlier pieces reflect a harsher, muted reality. Despite the dramatic changes in London, the exhibition reveals persistent themes and connections between the artworks, fostering a dialogue across generations. Celebrated artists like David Hepner and Doreen Fletcher engage with the historical context of their predecessors, creating a rich tapestry that invites viewers to reflect on the past and its influence on present artistry. The exhibition runs until 22 December, accompanied by a published volume, ensuring the dialogue continues beyond the gallery’s walls.

The exhibition, “In the Footsteps of the East London Group,” explores the artistic lineage from the East London Group, which featured emerging artists influenced by figures like Walter Sickert. This group arose amidst a rapidly changing urban landscape in East London, characterized by a post-industrial aesthetic. The exhibition juxtaposes their works with contemporary artists, examining how perceptions of space and environment have shifted over time while maintaining a connection to the area’s artistic heritage.

The exhibition not only pays homage to the East London Group but also serves to invigorate conversations around the evolution of urban art. It highlights the contrasts between the muted tones of the early 20th century and the vibrant expressions of today, encouraging viewers to consider how historical contexts shape contemporary perspectives. Ultimately, the interplay between these two artistic eras enriches both the past and the present, making it a noteworthy cultural experience.

Original Source: www.hackneycitizen.co.uk

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The Bartlett School of Architecture celebrates the achievement of three Architecture BSc students, Tomiwa Balogun, Dominic Coles Saffirio, and Kenny Lau, who received accolades at the RIBA London Student Awards 2024 for their first-year portfolios. These awards honour exceptional talent in architectural education across London’s universities, with projects evaluated by a distinguished jury at RIBA’s headquarters. Dominic’s ‘Smithfield Fleshworks’ revives leathercraft sustainably; Kenny’s ‘The Farringdon Filmhouse’ enhances viewer engagement in filmmaking; and Tomiwa’s ‘The Sanctuary of Sound’ focuses on inclusivity for neurodiverse youth. Their work is showcased online in the Summer Show 2024.

The RIBA London Student Awards aim to recognise and celebrate innovation and excellence in architectural practices among students from various institutions. The awards involve submissions from numerous universities, providing a platform for emerging architects to present their work to industry professionals. The recognition received highlights the importance of integrating sustainability, creativity, and inclusivity in modern architectural education.

The achievements of Bartlet students at the RIBA awards underscore the school’s commitment to fostering creativity and inclusivity in architecture. With innovative projects that bridge sustainability and community engagement, these students are leading the charge in shaping the future of the architectural landscape.

Original Source: www.ucl.ac.uk

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White Cube in Bermondsey will host a major solo exhibition of Jeff Wall’s work starting on 22nd November 2024. Titled ‘Jeff Wall: Life in Pictures’, this exhibition marks 30 years of collaboration with the artist and showcases over 40 significant works spanning from the 1980s to today. Wall’s photography, bridging documentary realism and artistic composition, offers complex reflections on urban life and historical narratives. The exhibition follows a series of recent shows in Europe and precedes further exhibitions in 2025 at notable venues such as MAAT in Lisbon and Museo di Arte Contemporanea in Toronto.

Jeff Wall is renowned for transforming the landscape of contemporary photography through his unique blend of realism and staged art. His works often resemble cinematic scenes, challenging traditional photography’s boundaries and inviting deeper contemplation on societal themes. This upcoming exhibition at White Cube not only celebrates his artistic journey but also highlights his influence and the cultural weight of his contributions over three decades.

The upcoming exhibition, ‘Jeff Wall: Life in Pictures’, at White Cube Bermondsey is a significant retrospective, celebrating Wall’s unique approach that melds realism with staged art. With a history of collaboration that spans 30 years, this show will highlight over four decades of his impactful works while continuing to engage audiences worldwide through subsequent exhibitions in 2025.

Original Source: fadmagazine.com

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Jack O’Brien, a 31-year-old sculptor, is gaining attention with his exhibition at Camden Art Centre, celebrating a decade in London and exploring the city’s rapid transformation. The highlight, ‘The Reward’, features two five-metre spiral staircases suspended horizontally, adorned with silver baubles, reflecting London’s mix of old and new architectural styles. O’Brien’s work plays with materials associated with both labour and kink, notably using stockinette, symbolic of both everyday life and eroticism. Growing up surrounded by Victorian architecture, O’Brien was inspired by the city’s aesthetics, studying art at Kingston University after moving to London in 2011. His pieces incorporate elements from the gay club scene, highlighting a tension between the familiar and the avant-garde. At the centre of his work is a critique of the commercial art world, embodying both beauty and absurdity. O’Brien’s ability to metamorphose mundane objects into artistic statements enhances their fragility and challenges perceptions of masculinity, evident in his sculptures that comment on the urban landscape of London. Ultimately, O’Brien’s exhibition is a thoughtful exploration of the intersection between personal history and the broader societal changes in the modern city.

Jack O’Brien’s exhibition at Camden Art Centre, part of the institution’s Emerging Artist Prize, comes at a time when London is undergoing significant urban transformation, reminiscent of the Victorian era. The city has seen the replacement of industrial buildings with luxury high-rises, leading to questions about accessibility and gentrification, particularly concerning the experience of emerging artists. O’Brien’s work reflects this dynamic change by incorporating familiar materials and forms while presenting a commentary on the past and present of London’s architecture and culture.

Jack O’Brien’s exhibition at Camden Art Centre, particularly his piece ‘The Reward’, encapsulates the precariousness of London’s evolving urban landscape. Through innovative use of materials and a playful yet critical narrative, O’Brien invites viewers to confront the often stark contrasts between the city’s historical architecture and modern developments. His work not only honours the past but also critiques the commercial art world, making a statement about identity, history, and contemporary urban life.

Original Source: i-d.co

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Melek Zeynep Bulut, a Turkish-born designer based in London, has crafted a significant suspended installation titled “Duo” in the historic Painted Hall at the Old Royal Naval College in Greenwich. The installation, open from 28 October to 3 November, features hanging elements forming a rectangular shape with an archway that invites interaction. Bulut describes the piece as a “portal”, providing an experience of dimensional transition and equilibrium. The installation uniquely contrasts with the Baroque décor of the hall, integrating microphones and reflectors to amplify visitors’ movements, allowing the space to respond to human presence. Bulut’s design process is deeply informed by her synesthesia, enhancing the multi-sensory experience she aims to achieve.

The Painted Hall, completed in the 18th century and adorned with exquisite artwork by James Thornhill, serves as the backdrop for Bulut’s “Duo” installation. Bulut seeks to bridge her contemporary vision with the hall’s historical significance, exploring dimensionality and the interaction between the old and the new through her art. Her experience with synesthesia profoundly influences her design, allowing her to orchestrate installations that resonate on multiple sensory levels, creating enriched environments for engagement.

Melek Zeynep Bulut’s installation “Duo” merges modern artistic expression with historical context, offering visitors a multi-sensory experience that interacts dynamically with the surroundings of the Painted Hall. Through her work, Bulut continues to explore themes of transition and engagement, reflective of her unique artistic perspective shaped by her synesthetic experiences.

Original Source: www.dezeen.com

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