“Brasil! Brasil! The Birth of Modernism” at the Royal Academy highlights Brazilian Modernism’s evolution marked by national pride and artistic innovation. Initially, Brazilian art, prioritising religious themes and conservatism, was resistant to modern influences. The exhibition showcases how artists like Anita Malfatti and Tarsila do Amaral revolutionised local art, introducing contemporary styles and aesthetics that broke away from traditional constraints.

The movement gained momentum in the early 20th century, reflecting a gradual embrace of vibrant colours and freer expressions. Tarsila do Amaral’s vibrant works contrast sharply with her earlier introspective portraits. Similarly, Malfatti’s dynamic portrayal of Oswald de Andrade exemplifies the Modernists’ fresh approaches to paint manipulation.

Flávio de Carvalho, an architect turned artist, pushed boundaries with his provocative performance art. Lasar Segall and Vicente do Rego Monteiro incorporated cultural themes into their work, with Segall’s “Banana Plantation” highlighting Black Brazilian experiences, while Monteiro’s forms echo British Modernism.

Candido Portinari’s works tackled social issues, using imagery of scarecrows to highlight poverty, while Alfredo Volpi’s geometric abstractions represented simplicity and playfulness. The exhibition also features Djanira, who combines African influences with vibrant depictions of mythology, and Rubem Valentim, who expressed spiritual themes through cubic forms.

Despite its rich content, the exhibition may fall flat in presentation. Unlike previous engaging shows, “Brasil! Brasil!” appears subdued and lacks the dynamism the artwork deserves. It runs at the Royal Academy until April 21, 2025, with advance booking advised.

“Brasil! Brasil! The Birth of Modernism” effectively illustrates the transformation of Brazilian art from traditional to modernist paradigms, featuring key artists like Malfatti and do Amaral. Despite its cultural significance, the exhibition’s staging lacks the vibrancy and excitement seen in previous showcases, potentially overshadowing the impactful art on display.

Original Source: observer.com

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