CAMBRIDGE HEATH - The London Bell https://thelondonbell.com Tue, 03 Dec 2024 17:57:44 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.5 https://thelondonbell.com/wp-content/uploads/2023/10/cropped-Screenshot-2023-10-26-at-20.21.48-32x32.png CAMBRIDGE HEATH - The London Bell https://thelondonbell.com 32 32 Jack Jubb’s “Later Works” Exhibition: A New Perspective on Modernism https://thelondonbell.com/2024/12/03/jack-jubbs-later-works-exhibition-a-new-perspective-on-modernism/ Tue, 03 Dec 2024 17:57:36 +0000 https://thelondonbell.com/2024/12/03/jack-jubbs-later-works-exhibition-a-new-perspective-on-modernism/ Jack Jubb’s “Later Works” is his first UK solo exhibition, showcasing new sculptures and watercolours. Running from December 6, 2024, to February 23, 2025, the […]

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Jack Jubb’s “Later Works” is his first UK solo exhibition, showcasing new sculptures and watercolours. Running from December 6, 2024, to February 23, 2025, the show explores themes of art production and value through the lens of British modernism and counterculture, with an innovative use of miniatures that critiques traditional notions of completion and authenticity.

Jack Jubb’s exhibition, “Later Works,” marks his first solo show in the UK, running from December 6, 2024, to February 23, 2025, at Cell Project Space in London. Featuring a series of sculptures and watercolours, the exhibition explores themes of labour, reproduction, and cultural legacy through a dual lens of British modernism and hobbyist culture. Jubb’s use of miniatures questions the notions of preparation, completion, and the value of art, presenting works that blur the lines between original and counterfeit. Displayed on table tennis tables, the sculptures exist in a space of incompletion, challenging traditional critiques of artistic value in a digital era.

The exhibition “Later Works” reflects Jack Jubb’s artistic investigation of modernist sculpture, particularly its evolution into contemporary forms. By employing 3D printing and miniature forms, Jubb critiques the relationship between art and value, suggesting that these objects navigate between being prototypes and final works. This approach raises questions about the authenticity of artistic production in a time of digital saturation, highlighting the complexities of the art market and cultural representation.

In summary, Jack Jubb’s “Later Works” delves into the intricacies of artistic creation in a modern context, using miniatures to examine labour, cultural value, and the status of artworks post-creation. The exhibition compels viewers to reconsider their perceptions of authenticity and artistic worth in the digital age, asking what it means to produce in today’s saturated cultural landscape.

Original Source: www.e-flux.com

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