CANVAS GALLERY - The London Bell https://thelondonbell.com Sun, 17 Nov 2024 10:29:49 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.5 https://thelondonbell.com/wp-content/uploads/2023/10/cropped-Screenshot-2023-10-26-at-20.21.48-32x32.png CANVAS GALLERY - The London Bell https://thelondonbell.com 32 32 Adeela Suleman’s “Exit The Tiger” Exhibition: History Meets Contemporary Concerns https://thelondonbell.com/2024/11/17/adeela-sulemans-exit-the-tiger-exhibition-history-meets-contemporary-concerns/ Sun, 17 Nov 2024 10:29:03 +0000 https://thelondonbell.com/2024/11/17/adeela-sulemans-exit-the-tiger-exhibition-history-meets-contemporary-concerns/ The exhibition “Exit The Tiger” by Adeela Suleman showcases artworks inspired by Tipu Sultan amidst themes of colonialism and resistance. While beautifully executed, critics note […]

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The exhibition “Exit The Tiger” by Adeela Suleman showcases artworks inspired by Tipu Sultan amidst themes of colonialism and resistance. While beautifully executed, critics note a disconnect with present-day issues and social realities in Karachi, raising questions about the relevance of historical interpretations in contemporary art.

Adeela Suleman’s exhibition, “Exit The Tiger: Symbols of Valour in Tipu’s India”, presented at London’s Grosvenor Gallery, re-examines the legacy of historical figure Tipu Sultan, a symbol of resistance against British colonialism. Featuring six enamel-painted vintage ceramic platters and three battle banners, the pieces echo Mughal narratives while presenting a slightly altered history. However, the exhibition raises questions on its contemporary relevance, as it lacks direct engagement with current socio-political issues in Karachi, despite Suleman’s intentions to reflect on historical violence and oppression. Suleman’s artworks, notably those like “On the Plains of Pollipur” and “Tipu’s Body is Discovered by Sir David Baird in the Ruins of Seringapatam in 1799”, borrow motifs from classical miniature painting yet strive for originality. Nevertheless, the absence of contemporary contexts makes the artistic dialogue feel somewhat stagnant. The intricate wooden frames, crafted by local artisans, hint at the socio-economic realities of Karachi yet are overlooked as integral elements of the artwork.

The exhibition of Adeela Suleman highlights Tipu Sultan, celebrated for his defiance against British imperialism. With Tipu as a historical lens, Suleman seeks to address themes of resistance and civil rights through historical artworks. However, critics argue that while the aesthetics of the pieces reflect craft development, they fail to resonate with the urgency of contemporary issues faced in cities like Karachi.

Adeela Suleman’s “Exit The Tiger” offers a visually captivating reinterpretation of historical narratives surrounding Tipu Sultan but ultimately lacks a connection to current socio-political issues in Karachi. The exhibition brings forth questions about the role of history in addressing contemporary violence and dissent, suggesting a missed opportunity for deeper engagement with today’s challenges.

Original Source: www.dawn.com

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