South Korean artist Joung Young-Ju transports visitors to the essence of Seoul’s urban life with her solo exhibition titled “Way Back Home” at Almine Rech in London. Renowned for her intricate representations of Korean shanty towns, Joung’s art marries photography and painting, presenting a compelling exploration of community and memory. Her creations are constructed on durable hanji paper, an ancient Korean material, forming layered cityscapes that blur the lines between reality and abstraction.

Rather strikingly, Joung’s artworks are absent of human figures; instead, they radiate warmth through light from buildings, symbolising the hidden lives within. According to art writer Aimee Dawson, these glowing lights epitomise collective humanity, promoting reflections on isolation and connection in today’s world.

Though her roots are firmly Korean, Joung’s work is universally significant, resonating with communities globally, from Rio’s favelas to Istanbul’s gecekondu, and even Detroit’s slums. Dawson notes, “Every major city in the world is home to a ramshackle shanty town,” as Joung’s art reflects these unvoiced narratives.

“Way Back Home” is on display at Almine Rech until 20 December 2024, offering an insightful look into Seoul’s culture while addressing resilience and the shared facets of human existence. Whether appreciated by art enthusiasts or casual visitors, Joung Young-Ju’s exhibition promises a profound experience that should not be overlooked.

Joung Young-Ju’s exhibition stems from her dedication to showcasing the complexities of urban living, particularly in Seoul’s shanty towns. Using hanji paper, she creates detailed artworks that reflect not only the architectural landscape but also the underlying themes of community and isolation. Her method of layering fragments of hanji enhances the narrative quality of her work, allowing it to resonate on a human level, appealing to a broader audience beyond the local context.

In summary, Joung Young-Ju’s “Way Back Home” is a thought-provoking exhibition that encapsulates the spirit of community through the lens of Seoul’s shanty towns. By utilising traditional hanji paper and eschewing human figures, her work invites contemplation on the nature of human connection amid isolation. The exhibition’s relevance stretches beyond Korean culture, touching on universal stories found in urban spaces worldwide.

Original Source: stupiddope.com

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