Annette K. Mazzone’s novel “Lily Among Thorns” is set to be featured at the 2025 London Book Fair, scheduled from March 11-13, 2024. This gripping narrative unfolds in a dystopian world marked by chaos and oppression, drawing on biblical prophecies such as 2 Thessalonians 2:3, which warns of deception and tyranny. The story follows a woman in her twenties who remains steadfast in her faith amid a totalitarian regime that persecutes her for her beliefs. Her journey illustrates themes of endurance and hope against adversity. The book has received praise from readers, heralded as a compelling and engaging read. Readers can purchase “Lily Among Thorns” through major retailers like Amazon and Barnes & Noble, and learn more about Mazzone and her work on her official website. ReadersMagnet will showcase the book at the fair, providing a unique opportunity for attendees to explore this thought-provoking piece.

“Lily Among Thorns” by Annette K. Mazzone reflects themes of faith and resilience in a dystopian setting inspired by biblical teachings. The narrative resonates with contemporary concerns about surveillance and totalitarianism, and it aligns with Christian eschatology, focusing on the Last Days as outlined in scripture. This context enriches the novel’s exploration of belief under oppression, making it relevant for a wide audience.

In summary, Mazzone’s “Lily Among Thorns” is a significant contribution to the genre of Christian dystopian fiction. Its exploration of faith in a challenging world will be highlighted at the 2025 London Book Fair, presenting an excellent opportunity for readers seeking profound narratives rooted in spiritual resilience.

Original Source: www.webwire.com

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Melek Zeynep Bulut, a Turkish-born designer based in London, has crafted a significant suspended installation titled “Duo” in the historic Painted Hall at the Old Royal Naval College in Greenwich. The installation, open from 28 October to 3 November, features hanging elements forming a rectangular shape with an archway that invites interaction. Bulut describes the piece as a “portal”, providing an experience of dimensional transition and equilibrium. The installation uniquely contrasts with the Baroque décor of the hall, integrating microphones and reflectors to amplify visitors’ movements, allowing the space to respond to human presence. Bulut’s design process is deeply informed by her synesthesia, enhancing the multi-sensory experience she aims to achieve.

The Painted Hall, completed in the 18th century and adorned with exquisite artwork by James Thornhill, serves as the backdrop for Bulut’s “Duo” installation. Bulut seeks to bridge her contemporary vision with the hall’s historical significance, exploring dimensionality and the interaction between the old and the new through her art. Her experience with synesthesia profoundly influences her design, allowing her to orchestrate installations that resonate on multiple sensory levels, creating enriched environments for engagement.

Melek Zeynep Bulut’s installation “Duo” merges modern artistic expression with historical context, offering visitors a multi-sensory experience that interacts dynamically with the surroundings of the Painted Hall. Through her work, Bulut continues to explore themes of transition and engagement, reflective of her unique artistic perspective shaped by her synesthetic experiences.

Original Source: www.dezeen.com

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