Paul Trevor, an acclaimed photographer known for his vivid portrayal of East London, returns with a new book titled “Market Day,” which presents a nostalgic view of the East End markets from 1974 to 1992. The collection captures the essence of bustling locales like Middlesex Street, Columbia Road, Cheshire Street, and Whitechapel High Street, showcasing a range of eclectic products, from vintage televisions to second-hand clothing. Trevor describes the markets as a dynamic form of street theatre, noting that each visit offered unique surprises that kept him engaged over the years. Today, while some aspects of East End markets have evolved, the spirit of community and commerce remains evident, especially at venues like Columbia Road, which continues to thrive in the floral trade. The book is published by Hoxton Mini Press and, although it advocates for independent bookshops, Londonist may earn a commission for purchases made through direct links.

In the 1970s and 80s, London’s East End markets were vibrant hubs of commerce and culture, reflecting the daily lives of the people in a rapidly changing urban landscape. Paul Trevor’s photography not only documents these markets but also highlights the sociocultural contrasts of the time, juxtaposing the energetic market environment with a backdrop of urban decay. By revisiting these markets, the book “Market Day” serves as both a historical record and a celebration of local culture, allowing contemporary readers to engage with a rich past that’s still relevant today.

“Market Day” by Paul Trevor invites readers to explore the lively markets of London’s East End through captivating photography. The book not only serves as a historical snapshot of a bygone era but also highlights the enduring charm and character of these markets, reminding us of the ever-evolving nature of urban life. With continued interest in pre-loved items and the iconic flower market at Columbia Road, Trevor’s work resonates with both nostalgia and a contemporary appreciation for local trade.

Original Source: londonist.com

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Here are the top five exhibitions to explore in London during early November, as selected by Tabish Khan, the @LondonArtCritic: 1. Alexis Peskine: Forest Figures @ October Gallery – Bold portraits created using nails incorporate herbal plants and cowrie shell forms associated with the slave trade. – Open until: 9th November. 2. Susan Aldworth: Belongings @ King’s College London, Bush Arcade – A personal narrative inspired by her grandmother’s 1924 migration, showcasing antique dresses and family stories about migration to London. – Open until: 8th November. 3. Shaan Bevan + Owen Pratt: Ex-Voto @ Palmer Gallery – Featuring intimate drawings of body tissues relating to illnesses, sealed metal sheets resonate sounds of nature, reflecting on life’s fragility. – Open until: 9th November. 4. Yelena Popova: Of Dust and Breath @ Ione & Mann – Paintings crafted from natural earth tones and materials depict themes of nature, spirituality, and healing, with a striking tapestry illustration. – Open until: 7th November. 5. Gustavo Nazareno, Orixás: Personal Tales on Portraiture @ Opera Gallery – Skillful portraits of Black figures challenging traditional European art narratives, inspired by Afro-Latin religious deities. – Open until: 9th November.

The London art scene in early November showcases diverse exhibitions that reflect personal and cultural narratives. This period features artists exploring themes from migration and intimacy to spirituality and ecological concerns, utilising varied media including fabric, metal, and natural pigments. The aim is to engage with deeper societal issues through artistic expression.

These exhibitions highlight the rich tapestry of London’s art scene, offering insights into personal histories, cultural critiques, and environmental themes. Visiting these shows provides a profound way to connect with contemporary art and its reflections on society.

Original Source: fadmagazine.com

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Italian designer Martino Gamper presented his first London design retrospective titled “Before, After and Beyond” at a Georgian house in Marylebone, concluding on 26 October. The exhibition filled the property with an array of Gamper’s eclectic designs, showcasing works spanning his two-decade career. The collection was displayed across five themed domestic spaces, including a kitchen and a games room, eschewing the typical gallery “white cube” aesthetic to create a homely atmosphere. Among the highlights were a geometric bed with unique accompanying furniture, a permanent travertine fireplace built to replace one that had been stolen, and an ombre rug in the games room furnished with colourful seating. The showcase also included pieces from Gamper’s 2007 project, “100 Chairs in 100 Days,

Martino Gamper is a prominent Italian designer known for his innovative approach to furniture and decor. His work is characterised by a blend of aesthetics, utilising various materials and techniques. This retrospective, taking place at 11 Mansfield Street, represents his recognition and celebration of 20 years in design. Collaborating with artists and integrating their work into his exhibition signifies a blending of artistic disciplines. The exhibition coincided with the prominent Frieze Art Fair, elevating its visibility in the design community.

Gamper’s retrospective not only showcased his diverse range of work but also engaged with the community by creating a relatable domestic setting. By combining his pieces with those of fellow artists and employing a plethora of materials, Gamper’s exhibition reflects his innovative spirit and connection to the city of London.

Original Source: www.dezeen.com

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