LINKIN PARK performed at the O2 Arena in London on September 24, 2024, as part of their ‘From Zero’ fall mini-tour. This concert featured two new songs, “The Emptiness Machine” and “Heavy Is The Crown,” from their forthcoming album, set to release on November 15. Following the death of Chester Bennington, this marks the band’s first full-length album since 2017. The tour showcases a new lineup, featuring Emily Armstrong as the lead vocalist, and Colin Brittain on drums, alongside founding members Mike Shinoda, Brad Delson, Dave “Phoenix” Farrell, and Joe Hahn. Guitarist Alex Feder is filling in for Delson. The concert was part of a series of performances across various cities, including Los Angeles, New York, and Hamburg, all featuring high-tech stage designs resembling aircraft carriers and a two-hour setlist. “Heavy Is the Crown” serves as the anthem for the 2024 League Of Legends World Championship, marking LINKIN PARK’s first collaboration with Riot Games. Shinoda revealed that drummer Rob Bourdon opted out of the band after expressing a desire for distance, a decision respected by the remaining members. Shinoda expressed excitement for the new album, which reflects the band’s evolution while honouring their roots.

LINKIN PARK has been on a comeback tour following their hiatus after the loss of lead vocalist Chester Bennington in 2017. The ‘From Zero’ tour highlights their new music and lineup changes. The band’s evolution is not only marked by new members but also by a deeper connection among the remaining musicians. The anticipation around their new album, which connects past and future sounds, is significant for both the band and their fans. Additionally, their partnership with Riot Games for a League Of Legends championship anthem indicates a foray into new artistic collaborations.

LINKIN PARK’s recent London performance marks a significant comeback for the band, showcasing their new era with fresh music and a restructured lineup. The anticipation for their album ‘From Zero’ captures a blending of their longstanding sound with new influences. The tour and album represent a reunion of sorts, as the surviving members embrace their past while looking forward to future endeavours.

Original Source: blabbermouth.net

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In 1933, as Nazi book burnings ravaged Germany, a vital collection of 60,000 art-historical volumes was rescued and relocated to London, giving birth to what has been dubbed ‘the world’s weirdest library’ — the Warburg Institute. Nestled within a modest Bloomsbury building, this library uniquely curates nearly 400,000 volumes that explore the transition of symbols from ancient times to the Renaissance, embracing an unconventional cataloguing method known as the ‘law of the good neighbour’. Founded by Aby Warburg in Hamburg, the collection evolved into a noted research hub before being threatened by the rise of the Nazis. The institute’s journey to safety was facilitated by philanthropist Samuel Courtauld, and in 1944, the Warburg family formalised its future through a transfer to the University of London. A recent £14.5-million refurbishment, dubbed the ‘Warburg Renaissance’, has revitalised the space, reestablishing its unique aesthetic and inviting a broader audience. Now, the library’s original layout has been reinstated, and its intriguing organisational system preserved, enabling users to seamlessly navigate between centuries-old texts and contemporary publications. Notably, important historical artefacts and exhibitions line the revamped halls, enhancing its role as a cultural centre. Bill Sherman, the institute’s director, emphasises the commitment to bridging historical integrity with modern practices, ensuring that the Warburg remains a beacon of scholarly activity and artistic inspiration.

The Warburg Institute originated from a private collection in Hamburg, founded by Aby Warburg, who developed the field of iconology. Following the rise of the Nazis, the institute was forced to relocate to London in 1933 to preserve its extensive library of art-historical works. It became part of the University of London in 1944, and has since evolved into a significant resource for scholars and researchers alike. The recent refurbishment reflects an effort to modernise while maintaining its distinctive character, promoting accessibility and cultural engagement within the community.

The Warburg Institute stands as a remarkable testament to resilience and innovation in preserving cultural heritage. Its transformation not only safeguards the unique collection of art-historical texts but also aims to inspire a wider audience through modernisation. The combination of a rich historical framework and contemporary relevance reasserts the institute’s vital position within the academic and artistic landscape of London, ensuring that it continues to be a resource for artists, historians, and curious minds alike.

Original Source: www.christies.com

The post The Warburg Institute: A Unique Library’s Journey from Hamburg to London first appeared on The London Bell.