In 2007, the Brooklyn Museum hosted “Global Feminisms,” an influential exhibition showcasing feminist art from a global perspective. Curated by Maura Reilly and Linda Nochlin, it contrasted Western-centric views of feminism. Sixteen years later, the ongoing exhibition “transfeminisms,” curated by Reilly with Christine Eyene, Daria Khan, and Jennifer McCabe at London’s Mimosa House, expands upon this foundation, exploring inclusivity across various dimensions of gender, geography, and subject matter. “Transfeminisms” is organised into five thematic chapters. The first chapter, “Activism and Resistance,” highlighted political protest through art, addressing issues such as free speech and state violence. Notable works included Bahia Shehab’s “A Thousand Times No,” which responds to Palestinian genocide, and various pieces tackling historical narratives and societal repression. Chapter II, “Radical Imagination,” reimagined mythological and religious icons through a feminist lens, with works like Martine Gutierrez’s photography series challenging traditional narratives of femininity. The third chapter, “Fragile Archives,” focused on alternative histories and personal narratives, showcasing artists who redefine traditional storytelling beyond institutional confines. Chapter IV, “Care and Kinship,” emphasised ancestral connections and rituals, celebrating previous generations’ contributions to feminism through artists like Sonia Boyce. The culmination of the exhibition, Chapter V, entitled “Hidden Labours,” examines the often invisible work of the queer community, confronting issues of gendered labour and visibility through various artistic mediums. Overall, “transfeminisms” represents a significant evolution in feminist art discourse, encouraging dialogue on resilience and resistance across global narratives while honouring diverse experiences.

The rise of transfeminism is rooted in the need to address intersectionality within feminist discourse, incorporating perspectives from various cultures and communities. Since the 2007 Brooklyn Museum exhibition, the feminist art landscape has broadened, reflecting debates around decolonisation, reproductive rights, and climate activism. The new exhibition at Mimosa House builds upon this evolution by uniting a diverse array of voices and perspectives in contemporary feminist art, spotlighting the complexities of gender identity and representation.

In summary, “transfeminisms” at Mimosa House showcases a rich tapestry of feminist art that engages with contemporary global issues. Through its exploration of activism, radical imagination, fragile histories, care, and hidden labours, the exhibition drives critical conversations about resistance and the nuances of gender and identity in the 21st century. As it progresses to its final chapter, it underscores the ongoing importance of inclusivity in feminist practices.

Original Source: www.dazeddigital.com

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Freud’s theories have catalysed a significant dialogue concerning female desire and sexuality. Currently showcased at the Freud Museum in London, the exhibition “Women & Freud: Patients, Pioneers, Artists” argues that Freud, despite his patriarchal viewpoint, inadvertently liberated female thoughts through psychoanalysis. His innovative methods and the ensuing artistic expressions from female artists highlight how Freud listened and valued women’s experiences, creating an enduring impact on the understanding of female psyche. This is exemplified in performances like those of Lesley Manville and Emma D’Arcy, which modernise Greek tragedies to explore complex themes of desire and taboo. The exhibition features artwork from prominent female artists, linking their expressions to Freud’s method of free association. The notion that feminism and Freudian thought emerged from a shared understanding of women’s experiences marks a pivotal shift in societal expectations. In contemporary culture, women enjoy a wider range of identities, embracing roles that challenge previously imposed limits, further reflecting the progress initiated by Freud’s exploration of the female mind. The show’s historical context and engaging artworks demonstrate how Freud’s practices laid the groundwork for feminist discourse and artistic freedom.

The discussion on the intersection of Freud’s theories and female empowerment gains relevance in today’s cultural landscape, highlighted by contemporary theatre exploring themes of desire, taboo, and social boundaries. Sigmund Freud, while initially a product of his time, inadvertently enabled a broader conversation around female sexuality through his psychoanalytic methods. The burgeoning feminist movement of the 1960s and the following decades incorporated these ideas, pushing against traditional taboos surrounding women’s identities and desires. The exhibition draws connections between the historical limitations women faced and their artistic responses, which were shaped by Freud’s theories.

The exhibition at the Freud Museum argues that Freud’s psychoanalysis played a vital role in liberating women’s voices and desires. By connecting the dots between autobiographical female art and his analytical practices, the show invites a deeper appreciation of the complexities surrounding women’s experiences. Ultimately, Freud’s influence transcended traditional views, helping to challenge and reshape the narrative about female identity and desire in society.

Original Source: www.theguardian.com

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London is set to bid for the opportunity to host World Pride 2030, as confirmed by Christopher Joell-Deshields, the head of Pride in London. The event aims to be more than just a parade, with a focus on critical discussions around LGBTQ+ inclusive education and the prohibition of conversion therapy. Mayor Sadiq Khan expressed pride in London’s reputation as a hub of inclusivity and diversity, characterising the city as a “beacon of inclusiveness”. Previous plans for World Pride in London were hampered by funding issues in 2012. Meanwhile, Washington DC and Amsterdam will host World Pride in 2025 and 2026, respectively.

World Pride is a global event aimed at raising awareness and promoting visibility for LGBTQ+ issues. It provides a platform for discussions around various critical topics affecting the LGBTQ+ community. Depending on the organisation and hosting city, World Pride can feature parades, cultural activities, discussions, and advocacy efforts. London’s history with hosting such events includes a previous attempt in 2012, which fell short due to financial challenges, thus adding significance to its bid for 2030.

As London prepares to put forward its bid for World Pride 2030, it aims to highlight the city’s longstanding values of inclusivity and diversity. The event promises to focus on essential topics affecting the LGBTQ+ community, moving beyond celebratory parades to encompass serious discussions. The successful bid would represent a significant step in London’s ongoing commitment to supporting LGBTQ+ rights and visibility on a global stage.

Original Source: www.bbc.com

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