ROBERT MALLARY - The London Bell https://thelondonbell.com Mon, 16 Dec 2024 22:06:19 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.5 https://thelondonbell.com/wp-content/uploads/2023/10/cropped-Screenshot-2023-10-26-at-20.21.48-32x32.png ROBERT MALLARY - The London Bell https://thelondonbell.com 32 32 Exploring Early Kinetic and Computer Art at London Exhibitions https://thelondonbell.com/2024/12/16/exploring-early-kinetic-and-computer-art-at-london-exhibitions/ Mon, 16 Dec 2024 22:05:37 +0000 https://thelondonbell.com/2024/12/16/exploring-early-kinetic-and-computer-art-at-london-exhibitions/ London showcases two exhibitions—”Electric Dreams” at Tate Modern and “Arteonics” at the Mayor Gallery—exploring the fusion of early art and technology. Artists like Vera Molnár […]

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London showcases two exhibitions—”Electric Dreams” at Tate Modern and “Arteonics” at the Mayor Gallery—exploring the fusion of early art and technology. Artists like Vera Molnár and Grazia Varisco highlight the inventive spirit of pre-internet creativity. Together, the shows provide critical insights into the origins of digital art just as today’s discussions on technology’s impact on creativity gain momentum. Both exhibitions are open until early 2025.

Two concurrent exhibitions in London, “Electric Dreams” at Tate Modern and “Arteonics” at the Mayor Gallery, celebrate the intersection of art and technology prior to the internet. These shows highlight revolutionary international artists who utilised computing as a means of creative expression, driven by a deep interest in coding and user interactivity.

“Electric Dreams” offers a chronological exploration of vintage tech art, showcasing how historic artists imagined the future of visual language. It features a variety of immersive installations. Meanwhile, “Arteonics,” part of the longstanding Mayor Gallery’s dedication to modern art, focuses on 18 trailblazers in kinetic and digital art, including Vera Molnár—recognised as the “Godmother of Generative Art.” Her works illustrate the synergy of artistry and early computer technology. Additionally, pieces from Grazia Varisco and Giovanni Anceschi exemplify early kinetic creativity.

These exhibitions provide a critical lens on 20th-century art’s exploration of technology just as contemporary discussions of digital art and AI are burgeoning. The exhibitions run until January 31, 2025, at the Mayor Gallery, offering visitors a chance to reflect on the origins and evolution of digital art.

The article discusses two significant exhibitions in London that highlight the confluence of art and early computer technology. It points out the influence of pre-internet artists exploring kinetic and digital forms, reflecting a trend during the mid-20th century where coding and machines expanded the boundaries of artistic expression. The exhibitions illustrate the impact of these pioneers on contemporary discussions about art and technology and seek to contextualise their contributions in light of current technological advancements.

The two exhibitions present a profound exploration of how early artists harnessed technology to innovate within the visual arts. They not only celebrate individual achievements but also offer insight into the ongoing dialogue surrounding technology’s role in shaping artistic practices. As digital technology continues to evolve, recognising the roots of digital art becomes increasingly relevant. The exhibitions serve as a timely reminder of the creative possibilities that emerged from early technological experimentation.

Original Source: news.artnet.com

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